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Written by Our Reviewer
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Thursday, 12 June 2008 |
Unholy Domain: Where Science and Religion Go to WarReviewd by Stuart Nachbar
Dan Ronco’s Unholy Domain is a science fiction story that is very much a mix between George Orwell’s 1984 and Philip Dick’s Minority Report.
 Unholy Domain This is a story where an innovative technology has supposedly gone haywire, killing a million people and plunging the world or at least American into economic collapse. Domain’s main character, David Brown, is the son of the developer of PeaceMaker, the technology that started the downward spiral and created a nation (or world—I was not sure from the story) divided between factions for religious leadership—the Natural Humans--and technology. Both have their political capital, and both have their terrorists--or freedom fighters—depending on which side you are on. Members of both factions are about to form an even more powerful order known only as the Domain.
I loved the movie Minority Report, so I was anxious to read Domain, and it did not disappoint. While the author is a technologist himself, he doesn’t get the reader lost in technical and computer jargon; that is often a distraction with similar “intelligent” science fiction novels that assume the reader already knows most of the science before he opens the book. His descriptions of robots and PeaceMaker, the killer app were quick and to the point and made me want to continue reading the story. |
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Last Updated ( Thursday, 12 June 2008 )
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Wednesday, 21 May 2008 |
Lifetime Loser: Satire and Suspense on the LinksReviewed By Stuart Nachbar
James Ross’ Lifetime Loser is the story of a multi-million dollar estate real swindle by a humorous cast of con artists, and one unsuspecting golf pro who tries to make things right.
If you enjoy Carl Hiassen or Harlan Coben stories, and you’re deeply into golf, you will enjoy Lifetime Loser. The con artists are similarly developed: they have their slick moments, and their clumsy ones as well. They are just vulnerable and stupid enough, and full enough of themselves to get caught—and they do. It just takes 15 years to solve the crime, an extremely long time period for a story of this type.
 Lifetime Loser Ross’ main character, J.W. Schroeder, better known as J Dub, is a former golfer who comes just one stroke away from qualifying for the PGA Tour. After his near-miss, he decides to give it up and becomes a golf pro at his local driving range. There, he meets con artist Lewford E. (Lew) Zerrmann, and joins him as a minority partner in the decrepit Prairie Winds Golf Club. Lew has no interest in golf; he just wants to bleed the club dry while scaring away the customers he doesn’t like, just because he wants to. He rides his motorcycle on the course, and he imitates Adolf Hitler as art, again because he wants to. Lew is also as horny and unkind to women who resist him as any con in stories like these.
J Dub is a likeable and gullible fool; everyone around the man knows that Lew is cheating him, but he does nothing about it. He gets plenty of good advice from regular patrons to Prairie Winds, Julie his bookkeeper and office manager, his wife Marcia and, his brother Curt, but it takes years for that advice to finally sink into his head—and when it does, it’s almost too late and even an aggressive U.S. Attorney and the Internal Revenue Service are unable to help. He’s allowed the statute of limitations to compromise any case he has. |
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Last Updated ( Wednesday, 21 May 2008 )
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Saturday, 26 April 2008 |
Review By Stuart Nachbar
Susan Walerstein’s Dancing Above the Waves could have been named Dancing Above the Quicksand, for the way the main character, Boston publisher Jack “Scooter” McCalister tries to dig himself out of travesties, only to find himself sinking into deeper trouble instead.
 Dancing Above the Waves Dancing starts similarly to Bonfire of the Vanities where Jack, recklessly driving to catch a ferry one rainy morning, strikes a young girl and leaves the scene of the accident, not even bothering to see if she is alive or dead. And, as in Bonfire, the perfect world of a master of the universe begins to crumble around him. While Walerstein does not write this scene with the biting commentary of Tom Wolfe, it effectively set the pace for the rest of the story.
McCalister is not the only self-absorbed character in Dancing; he has an equally self-absorbed wife, Sherry whom he shares a business and a taste for finer things, but their tastes are independent of each other. They jointly run a high-society magazine and put on the public image of a happy and successful couple, but in real life they don’t want to be together much longer and their magazine desperately needs new money to survive. I was left to wonder if Jack wanted to leave Sherry because he sees things that he doesn’t like about himself in the way he conducts his business and in his marriage. |
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Last Updated ( Saturday, 26 April 2008 )
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Friday, 01 February 2008 |
Interviewing Erik Quisling - Author of Fable from the Mud  Fables from the Mud Lauren Smith: What inspired you to create a work of fiction? Erik Quisling: I initially came up with the idea for Fables from the Mud shortly after I graduated college. In the course of my soul searching and trying to figure out my place in the world, I was struck with the idea of a clam who was trying to do the exact same thing. For some reason it struck me as extremely amusing. This is how The Angry Clam, the first fable in my book, was born. Lauren Smith: Do you see Fables From the Mud as a satire, cultural commentary or something more? Erik Quisling: Fables From The Mud is about three little creatures – a clam, an ant, and a worm – all of whom are struggling with very human problems. The stories are satirical but in many ways are simply a cultural commentary on the human obsession with finding meaning in the world. All in all, they are designed to be amusing and to get you to see somewhat the absurdity of taking life too seriously. Lauren Smith: How did you develop each of the fables? Erik Quisling: Each fable was born from its own separate bout of inspiration. In each case, it was a single line of text that came to me that was like lighting a fuse that set the story on its course. Once the fuse was lit, the stories pretty much wrote themselves – I simply had to go back and edit them a little bit. |
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Last Updated ( Monday, 14 April 2008 )
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Monday, 05 November 2007 |
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Lauren Smith: What is your book about? The cover describes it as "Mormon cyberpunk."  Hunting Gideon Jessica Draper: The jacket copy gives a good summary: "Hunting Gideon is a near-future cyberpunk novel with an optimistic Mormon twist. Incorporating elements from the hard-boiled detective novel, film noir, and postmodernist prose, much of the novel's action takes place online in cyberspace, blurring the border between actual and virtual reality." "Cyberpunk" refers to the genre of science fiction that novels like Neuromancer and movies like The Matrix trilogy belong to—stories that take place in a near-future world where societal order is breaking down and technology is inescapable. It may be a bit of an exaggeration to call HG pure cyberpunk, but it fits the genre, a tale of digital cops 'n robbers in a full-immersion virtual world. That's a bit more precise than labeling it as simply "science fiction," let alone "Mormon science fiction." It's full of visuals and events that anybody who's played Second Life or World of Warcraft will relate to. In fact, when I first started writing, the idea of an "avatar" was really exotic, but since then has become commonplace; I feel rather proud of myself for anticipating trends so well! Lauren Smith: Where do you get your ideas from? |
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Last Updated ( Monday, 05 November 2007 )
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